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‘Happyend’ Review: Friendship Isn’t Future-Proof in a Poignant Surveillance-State Allegory
Japanese director Neo Sora is no catastrophist: the vision of dystopia he puts forth in his coolly compelling first fiction feature “Happyend” is chilling precisely because it won’t take some thunderous armageddon to bring it about. Instead, in a near future that’s barely a stone’s throw from now, beset by many of our present predicaments […]
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