‘One of the Good Ones’ Review: Pasadena Playhouse’s Cross-Cultural Comedy Brings a Norman Lear Sensibility to the Stage

Does “Guess Who’s Coming to Dinner” count as a genre unto itself, given how many plotlines in the last half-century have relied on the suitor-out-of-water supper guest as a linchpin? That trope seemed to have reached its furthest, most subversive extreme with “Get Out,” but there are still writers who are drawn to the trope […]
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