Vampire Weekend Reinvent Their Sound (Again) With ‘Only God Was Above Us’: Album Review

A major problem with early success is getting past it — case in point, the cheerful bop of Vampire Weekend’s first two albums and their image as peppy college boys who’d studied Paul Simon’s “Graceland” like a James Joyce masters’ thesis, playing their jaunty global pop to deliriously skanking millennials at seemingly every music festival of […]
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